[URBANTH-L]CFP: Crash/Landings: Friction and Flow in the American
City
Angela Jancius
acjancius at ysu.edu
Mon Mar 27 15:05:12 EST 2006
From: Sarah Chinn <sarah.chinn at hunter.edu>
The New York Metro American Studies Association
(NYMASA) invites papers for our annual one-day conference:
Crash / Landings: Friction and Flow in the American
City. Saturday, October 28, 2006
Deadline for abstracts: Monday, May 1, 2006
As we've seen from the New Orleans flood, the NYC
transit strike, and the Oscar-winning film "Crash,"
the U.S. city is a site of multiple collisions--of race,
class, ethnicity, generations, desires, fears, and
expectations. It is also, as Mary Louise Pratt and others
have argued, a contact zone--an improvisational space
of often surprising cultural exchange and creativity. To
explore these contradictions, the 2006 NYMASA
conference invites papers on the sometimes violent but
always productive juxtapositions that occur in urban
spaces. We are interested in presentations that address
the American city as a site of contact, collision, and
community. What kinds of movements--of peoples,
capital, knowledge, and culture--distinguish the city?
What instant or enduring intimacies are generated from the
friction of crowded streets, subways, freeways? How is
the eco-system of the city reshaped by gentrification or
zoning disputes--and enriched by aesthetic and political
responses to specific socio-economic conditions? How
have urban social movements shaped American
cities historically, and how are they remembered,
memorialized, replayed, and recast? How do images,
narratives, histories, maps and other representations
make urban friction and flow (in)visible?
We also invite considerations of American Studies as a
site of collision, friction and flow. Are there zoning
restrictions implicit in American Studies as an (inter)discipline,
and how are they being contested? What methodologies
and theoretical approaches are required to grasp the
complexities of the city as a contested zone? How do
urban challenges enable us to rethink the objects of
study in American Studies?
We particularly encourage submissions that discuss urban
spaces before the 20th century, and presentations that
cross historical and disciplinary boundaries. We welcome
presentations on transnational topics, but papers should
demonstrate some connection to the study of the United
States.
Possible topics include, but are not limited to:
--Landing in the city: migration/immigration, city as
refuge and asylum, city as "mecca"
--Diaspora and the global city: transculturation,
appropriation, tourism
--Imperialism, policing, surveillance and the
occupied city
--The economics of urban "flow": labor and capital
in the city
--Aesthetics of urban experience: fashion, art,
music, dance, theatre
--Culture clashes, subcultural frissons: hip hop,
reggaeton, graffiti; drag, genderqueer
--Geographies of urban culture and motion
--Final landings: urban burial sites, memorials, landfills
--City as landscape or ecosystem: wildlife,
community agriculture, pollution
--Zoning disputes: defining and arranging city space,
demolition, rebuilding, gentrification
--Catastrophe, disaster, violence
--Political frictions: tensions between local and
national politics
--Urban social/political movements: riots, strikes,
demonstrations, rebellions
--Crashing the party: social climbing, scandal and
gossip, physical/economic accessibility
--Cities in transit: walking in the city, biking as
resistance, commuting, car culture
--Urban intimacies: sex clubs, red light districts,
queering the city, new domesticities
--Imagination or reality? Representations versus
experiences of the urban environment
--Sensory experience and urban affect: feeling (in)
the city
--Theoretical contact zones: intersectionality,
activist theory, collisions of theory/practice
--Documenting urban flow: ethnography, journalism,
film, indie media, activist video
Abstracts (300 words) for proposed presentations are
due Monday, May 1, 2006 via email to Sarah Chinn
(_sarah.chinn at hunter.edu)
Please note: The conference will take place in New
York City; exact location will be announced at a later date.
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